Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 orġ5(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 (Registrants telephone number, including area code) (Exact name of registrant as specified in its charter) TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Universal Technical Institute of Phoenix, Inc.QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934įor the quarterly period ended March 31, 2013 Universal Technical Institute of Arizona, Inc. Universal Technical Institute of Pennsylvania, Inc. Or Save your search ( Click here for information on download subscriptions) Links: For a summary of this company's regulatory violations see its Violation Tracker summary page here.Ĭlick on the company name for more information on each subsidy award. Notes: Dollar totals do not include awards for which no subsidy value is disclosed. Time Period for Federal Awards: FY2000 to the present The majority of the listings for this parent company are for the period since 2005. Availability of data for earlier years varies greatly from program to program. Time Period for State and Local Awards: Earliest year of data: 2000. State/Local loans, bond financing and venture capitalįederal loans, loan guarantees and bailout assistance (not including repayments) Ownership Structure: publicly traded (ticker symbol UTI)įederal (grants and allocated tax credits) Subsidy Tracker Parent Company Summary Parent Company Name: Universal Technical Institute Inc.
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1st – 3rd Panzer company (14 tanks each) / 1.anti-aircraft platoon / Fliegerabwehrzug (FlakZug).area reconnaissance platoon / Erkundungszug (ErkdZug).armoured reconnaissance platoon (on IFV) / gepanzerter Aufklärungszug.communications platoon / Nachrichtenzug.staff company (three tanks) / Stabskompanie.The organisation structure of a German heavy Panzer battalion in 1943, on example of the schwere Panzerabteilung 508, was as follows. In addition to tanks, each battalion planned to include the following: Vehicle The limited number of these heavy tanks, plus their specialized role in either offensive or defensive missions, meant they were rarely permanently assigned to a single division or corps, but shuffled around according to war circumstances. Maintenance troubles and the mechanical unreliability of the Tigers posed a continuous problem, so often the units would field a smaller number of combat-ready tanks. Later formations had a standard organization of 45 Tiger Tanks, composed of three companies of 14 Tigers each, plus three command vehicles. Each company commander would have an additional Tiger, and battalion command would have another two. In 1942 this consisted of 20 Tigers and 16 Panzer IIIs, composed of two companies, each with four platoons of two Tigers and two Panzer IIIs. Formation Įarly formation units experimented to find the correct combination of heavy Tiger tanks supported by either medium Panzer III tanks or reconnaissance elements. The 1,715 German losses also include non-combat tank write-offs. The German heavy tank battalions destroyed a total of 9,850 enemy tanks for the loss of only 1,715 of their own, a kill/loss ratio of 5.74. Originally intended to fight on the offensive during breakthrough operations, the German late-war realities required it to be used in a defensive posture by providing heavy fire support and counter-attacking enemy armored breakthroughs, often organised into ad hoc Kampfgruppen. A German heavy tank battalion ( German: "schwere Panzer abteilung", short: "s PzAbt") was a battalion-sized World War II tank unit of the German Army (1935–1945), equipped with Tiger I, and later Tiger II, heavy tanks. Used output format : User Defined EncoderĬommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEĪdditional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j-picture="%i"%j %s -o %d Used interface : Native Win32 interface for Win NT & 2000 Null samples used in CRC calculations : Yes Used drive : PIONEER DVD-RW DVR-215 Adapter: 2 ID: 1įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No Mattila, Lipovsek, Hadley, Pita, Holl, Wiener Philharmoniker (Abbado) / Franz Schubert - Messe Es-Dur D950 November 2010ĮAC extraction logfile from 17. Messe Es-dur D 950 / Mass in E flat majorĮxact Audio Copy V1.0 beta 1 from 15. This Schubert is colourful and dramatic – and represents a unique synthesis in which the famous sound of the Berliner Philharmoniker is as evident as Nikolaus Harnoncourt’s familiarity with the transparency and sound speech of historical performance practice.Karita Mattila, Marjana Lipovsek, Jerry Hadley, Jorge Pita, Robert Holl, Claudio Abbado, Wiener Philharmoniker - Schubert: Messe Es-dur / Mass in E flat major D 950 But what lies at the musical centre of this edition is the collaboration of orchestra and conductor. Harnoncourt’s case for Alfonso und Estrella is so convincing not least because of the superb cast of singers which includes Kurt Streit, Dorothea Röschmann and Christian Gerhaher. With Schubert’s final two masses, central works of Romantic sacred music are also represented, plus there is a first-class discovery with the opera Alfonso und Estrella. It of course includes Schubert’s symphonies – from the too little-known early works to the “Unfinished” and the “Great” C major Symphony. Nikolaus Harnoncourt once said, “Schubert is the composer who is closest to my heart” – and in this edition, Harnoncourt and the Berliner Philharmoniker present a brilliant and multifaceted portrait of the composer. The game introduced Hyrule as the predominant fictional world and the series protagonist named Link, a Hylian boy or young man who is the player character. The Legend of Zelda series is set in a fantasy world that first appeared in the original 1986 The Legend of Zelda video game, which was developed and published by Nintendo. See also: List of The Legend of Zelda media It has introduced landmark innovations in world design that have since influenced numerous developers across the video game industry. Since the launch of the original game, the series has been a commercial and critical success. For Breath of the Wild released in 2017, Nintendo developed Hyrule into a seamless open world. Hyrule transitioned to a 3D environment with the development of the 1998 video game Ocarina of Time. Inspired by dungeon crawlers, Miyamoto and Tezuka developed a high fantasy world in the form of a 2D map filled with monsters, puzzles and dungeons. Hyrule was created as the original setting for the 1986 The Legend of Zelda video game and has remained as the main fictional environment for successive games in the series. Nintendo developed the fictional lore into a complex timeline that spans across the series and chronicles thousands of years of fictional history. Most games in The Legend of Zelda series follow a similar storyline, which involves the protagonist Link battling monsters to save Princess Zelda and defeat an evil villain, which is often the series' main antagonist, Ganon. The game world is accompanied by a detailed fictional lore that contains a creation myth, several constructed languages, the most prominent being Hylian, and a fictional universal currency called the rupee. The most prominent population in the series are the Hylians, a humanoid race with elfin features, that are identifiable by their long, pointed ears. The franchise is set within a fantasy world that is reminiscent of medieval Europe and consists of several recurring locations, races and creatures. The universe of the Legend of Zelda series consists of a variety of lands, the most predominant being Hyrule. It is mainly developed and published by Nintendo. The Legend of Zelda is a video game franchise created by Japanese video game designers Shigeru Miyamoto and Takashi Tezuka. The capital of Hyrule in its prime as depicted in Breath of the Wild |
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